Photo: Adriano Banchieri (Public domain), Wikimedia Commons

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1568–1634 · Italian composer

Also known as: Adriano da Bologna, Banchieri, Camillo Scaligeri dalla Fratta, Tommaso Banchieri, Адриано Банкьери, アドリアーノ・バンキエリ

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Giulio Cesare Croce1550–1609
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Wrote the original Bertoldo and Bertoldino tales of peasant wit and courtly satire that Banchieri continued with Cacasenno. (AI reason)
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Orazio Vecchi1550–1605
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Created comic madrigal comedies such as L'Amfiparnaso, close to Banchieri's own humorous madrigal-comedy style. (AI reason)
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Gioseffo Zarlino1517–1590
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Foundational Italian Renaissance music theory treatises on counterpoint and modes, the tradition Banchieri's Cartella musicale builds on. (AI reason)
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Girolamo Diruta1574–1609
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Il Transilvano is a dialogue-form organ-playing treatise closely paralleling L'organo suonarino. (AI reason)
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Lodovico Zacconi1555–1627
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Prattica di musica offers practical instruction on singing and composition in the same late-Renaissance pedagogical vein. (AI reason)
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Vincenzo Galilei1520–1591
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Dialogo della musica antica et della moderna debates musical practice and theory at the Renaissance-Baroque transition. (AI reason)
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Alessandro Tassoni1565–1635
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La secchia rapita is a mock-heroic comic poem with Emilian settings and burlesque humor akin to Banchieri's literary prose. (AI reason)
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Teofilo Folengo1491–1544
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Macaronic burlesque epic Baldus mixes earthy rustic comedy with learned parody. (AI reason)
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Tommaso Garzoni1549–1589
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La piazza universale catalogs trades and follies of society with encyclopedic, satirical wit. (AI reason)
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Giambattista Basile1566–1632
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Lo cunto de li cunti delivers baroque comic folk tales in dialect-rich, playful prose. (AI reason)
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