Photo: Dong Qichang (Public domain), Wikimedia Commons

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Chinese painter, scholar, calligrapher, and art theorist (1555-1636)

Also known as: Ch’i-ch’ang Tung, Hsiang-kuang Tung, Hsüan-tsai Tung, Kishō Tō, Qíchāng Dǒng, Sibai

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Shilong Mo1537–1587
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Late Ming painting theory articulating the Southern and Northern schools distinction closely paralleling Dong's critical framework. (AI reason)
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Chen Jiru1558–1639
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Late Ming informal essays and connoisseurship notes on painting, calligraphy and literati leisure in a similar miscellany style. (AI reason)
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Wang Shizhen1526–1590
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Ming literary and art criticism with extensive colophons and connoisseurship writings. (AI reason)
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Wen Zhenheng1585–1645
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Treatise on literati taste and collecting that reflects the same late Ming aesthetic culture. (AI reason)
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Xi Guo1956–
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Classic landscape painting treatise central to the tradition Dong theorized. (AI reason)
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Su Shi1037–1101
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Colophons and essays defining literati painting ideals of expressive spontaneity. (AI reason)
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Shitao1630–1707
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Painting treatise engaging Chan-inflected aesthetics and individual brushwork theory. (AI reason)
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Wang Yuanqi1642–1715
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Orthodox school painting notes directly continuing Dong's theories of landscape lineage. (AI reason)
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Yuan Hongdao1568–1610
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Late Ming xiaopin essays with a personal, refined aesthetic sensibility. (AI reason)
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