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Austrian/American composer (1900–1991)

Also known as: Ernst Heinrich Krenek, Эрнст Кшенек, 에른스트 크레네크, エルンスト・クルシェネク, 恩斯特·克热内克, Кренек

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Theodor W. Adorno1903–1969
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Dense philosophical essays on new music, twelve-tone technique and the social situation of modern composition. (AI reason)
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Arnold Schoenberg1874–1951
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Composer-essayist writing on style, idea and the theory of twelve-tone music. (AI reason)
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Paul Hindemith1895–1963
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Reflective composer's prose on craft, aesthetics and the purpose of modern music. (AI reason)
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Igor Stravinsky1882–1971
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Composer's lectures and autobiographical reflections on musical poetics and modernism. (AI reason)
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Hanns Eisler1898–1962
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Polemical writings on the politics and social function of modern music in exile-era Central Europe. (AI reason)
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Stefan Zweig1881–1942
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Memoir of Viennese cultural life and its collapse, echoing Krenek's autobiographical portraits of the era. (AI reason)
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Karl Kraus1874–1936
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Sharp Viennese cultural criticism and satire on language and journalism. (AI reason)
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Thomas Mann1875–1955
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Novel-length engagement with twelve-tone music and the crisis of German culture in Doktor Faustus. (AI reason)
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Rainer Maria Rilke1875–1926
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Lyrical, metaphysical German poetry of the kind set in O lacrimosa. (AI reason)
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