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Italian librettist (1810–1876)

Also known as: Франческо Мария Пьяве, フランチェスコ・マリア・ピアーヴェ, 弗朗切斯科·马里亚·皮亚韦, Пьяве, Франческо Мария, Франческо Мария Пиаве, Франческо Пьяве

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Felice Romani1788–1865
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Leading Italian bel canto librettist whose verse dramas for Bellini and Donizetti share Piave's romantic historical subjects and operatic conventions. (AI reason)
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Salvadore Cammarano1801–1852
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Wrote tragic romantic libretti such as Lucia di Lammermoor and Il trovatore in the same Italian melodramma tradition. (AI reason)
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Arrigo Boito1842–1918
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Verdi librettist for Otello and Falstaff, adapting literary sources into Italian operatic verse. (AI reason)
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Antonio Somma1809–1864
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Wrote the libretto of Un ballo in maschera, a romantic historical drama in the same Verdian idiom. (AI reason)
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Temistocle Solera1815–1878
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Librettist of Nabucco and I Lombardi, with patriotic and historical themes close to Piave's early Verdi works. (AI reason)
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Antonio Ghislanzoni1824–1893
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Librettist of Aida who also revised La forza del destino, writing exotic and historical melodrama verse. (AI reason)
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Victor Hugo1802–1885
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His romantic dramas such as Le roi s'amuse and Hernani supplied the passionate, fatalistic plots Piave adapted. (AI reason)
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Friedrich Schiller1759–1805
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Romantic historical tragedies of power and freedom that fed the Italian operatic stage of the era. (AI reason)
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Lorenzo Da Ponte1749–1838
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Venetian-born librettist whose Italian opera texts for Mozart represent the earlier peak of the libretto form. (AI reason)
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Pietro Metastasio1698–1782
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Foundational Italian librettist whose dramma per musica shaped the conventions later romantic librettists inherited. (AI reason)
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