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French film director (1882-1942)

Also known as: Charlotte Elisabeth Germaine Saisset-Schneider, Жермен Дюлак, جرمان دولاك, 제르멘 뒬락, ジェルメーヌ・デュラック, 热尔梅娜·迪拉克

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Jean Epstein1897–1953
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French Impressionist film theory exploring photogénie and cinema's poetic essence, close to Dulac's writings on pure cinema. (AI reason)
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Louis Delluc1890–1924
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Early French film criticism and Impressionist screenwriting, including the scenario for La Fête espagnole. (AI reason)
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Antonin Artaud1896–1948
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Surrealist dream-logic writing and the screenplay for The Seashell and the Clergyman. (AI reason)
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Ricciotto Canudo1877–1923
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Avant-garde essays theorizing cinema as the seventh art. (AI reason)
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Maya Deren1917–1961
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Experimental film theory on ritual, rhythm and the poetics of non-narrative cinema. (AI reason)
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Marcel L'Herbier1888–1979
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Writings and films from French Impressionist cinema emphasizing visual subjectivity. (AI reason)
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Jean Cocteau1889–1963
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Poetic, dreamlike writing on cinema and avant-garde film scenarios. (AI reason)
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René Clair1898–1981
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Reflections on silent and avant-garde cinema from the same French milieu. (AI reason)
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Sergei Eisenstein1898–1948
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Foundational film theory on montage, rhythm and visual meaning. (AI reason)
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Béla Balázs1884–1949
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Silent-era film aesthetics focusing on the close-up and visual expression. (AI reason)
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