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992–1050 · 11th century Italian monk, inventor of modern musical notation

Also known as: Guido von Arezzo, Guido Aretinus, Guido d'Arezzo, Guido d’Arezzo der Ältere, Guido da Arezzo, Guido Monaco

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His De institutione musica is the foundational Latin music-theory treatise underlying medieval discussions of mode and interval. (AI reason)
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Wrote early Latin treatises on chant, notation and pitch that prefigure Guido's pedagogical concerns. (AI reason)
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Wrote a tonary and epistle on harmonic institution addressing modal classification of chant. (AI reason)
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John of Garland1195–1300
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Latin treatise on mensural music that extends medieval efforts to systematize notation and rhythm. (AI reason)
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Medieval Latin treatise describing musical practice and genres in a theoretical framework. (AI reason)
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Philippe de Vitry1291–1361
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Associated Ars nova treatises carry forward medieval innovation in musical notation. (AI reason)
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Pick Guido of Arezzo and a few more favorite authors to get suggestions that fit you.

Guido D'Arezzo's Regule rithmice, Prologus in antiphonarium, and Epistola ad michahelem
Guido's rhythmic rules
Guidonis Prologus in antiphonarium
[Collection of musical treatises]
[Troper-sequentiary-cantatorium, followed by writings of Guy d'Arezzo, from Saint-Évroult in Normandy