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Henry Fuseli
Photo: James Northcote (Public domain), Wikimedia Commons

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Swiss born British painter, draughtsman and writer on art (1741–1825)

Also known as: Johann Heinrich Füssli, Esq. Henry Fuseli, Esq.R.A. H. Fuseli, Fuseli, fuseli h., Fuseli R.A.

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  • William Blake1757–1827
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    Visionary, mythic imagery and aphoristic writing on art and imagination that parallel Fuseli's sublime, dreamlike aesthetic. (AI reason)

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  • Joshua Reynolds1723–1792
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    Discourses on Art are academy lectures on history painting and taste, the same genre as Fuseli's Lectures on Painting. (AI reason)

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  • Johann Joachim Winckelmann1717–1768
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    Neoclassical writings on the imitation of Greek art, which Fuseli translated into English. (AI reason)

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  • Edmund Burke1729–1797
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    His treatise on the sublime and beautiful theorises the terror and grandeur central to Fuseli's work. (AI reason)

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  • Johann Kaspar Lavater1741–1801
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    Aphorisms on Man and physiognomic essays share Fuseli's terse, epigrammatic style, and Fuseli translated the Aphorisms. (AI reason)

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  • Mary Wollstonecraft1759–1797
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    Late-Enlightenment polemical prose on reason, passion and society from the same London intellectual milieu. (AI reason)

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  • Jean-Jacques Rousseau1712–1778
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    Writings on nature, feeling and society that Fuseli engaged with directly in his Remarks on Rousseau. (AI reason)

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  • Horace Walpole1717–1797
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    Gothic supernatural atmosphere and connoisseurship of art akin to the eerie mood of The Nightmare. (AI reason)

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  • Benjamin Robert Haydon1786–1846
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    Autobiography and lectures on grand history painting written from inside the same Royal Academy tradition. (AI reason)

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  • Johann Gottfried Herder1744–1803
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    Sturm und Drang aesthetics celebrating Shakespeare, folk poetry and original genius. (AI reason)

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Known works

  • Johann Heinrich Füssli (1977)
  • The temple of nature, or, The origin of society
  • The life and writings of Henry Fuseli (1831)
  • Remarks on the writing and conduct of J.J. Rousseau (1767) (1960)
  • Füssli e Dante