Photo: Attributed to Joseph Aved / Formerly attributed to Jean-Baptiste-Siméon Chardin (Public domain), Wikimedia Commons

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French composer and music theorist (1683–1764)

Also known as: Жан-Филипп Рамо, جان فيليب رامو, 장필리프 라모, ジャン＝フィリップ・ラモー, 让-菲利普·拉莫, جان-فيليپ رامو

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Jean Baptiste Lully1632–1687
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Founder of the French tragédie en musique tradition that Rameau's operas extend, with similar mythological subjects and ballet-rich structure. (AI reason)
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François Couperin1668–1733
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French Baroque harpsichord works and a keyboard treatise sharing Rameau's refined ornamented style. (AI reason)
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Marc-Antoine Charpentier1643–1704
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French Baroque dramatic and sacred music with comparable expressive harmony and theatrical ambition. (AI reason)
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André Campra1660–1744
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Opéra-ballet works such as L'Europe galante, directly anticipating the form of Les Indes galantes. (AI reason)
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Jean Le Rond d'Alembert1717–1783
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Wrote an Enlightenment exposition of music theory built on Rameau's harmonic principles. (AI reason)
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Jean-Jacques Rousseau1712–1778
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Wrote a dictionary of music and polemics on French versus Italian opera, engaging the same aesthetic debates as Rameau's theory. (AI reason)
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Jean-Marie Leclair1697–1764
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French Baroque composer whose opera Scylla et Glaucus shares Rameau's mythological tragédie lyrique idiom. (AI reason)
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Michel Pignolet de Montéclair1667–1737
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Composer of the tragédie lyrique Jephté and pedagogical music treatises in the same French Baroque milieu. (AI reason)
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Johann Joseph Fux1660–1741
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Gradus ad Parnassum is a foundational Baroque-era theoretical treatise on composition comparable to Rameau's Traité de l'harmonie. (AI reason)
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Giuseppe Tartini1692–1770
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Combined composition with speculative acoustical harmonic theory, paralleling Rameau's theory of the fundamental bass. (AI reason)
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Jean-Philippe Rameaus letzter Musiktraktat (1986)
Pi℗♭℗ʺces de clavecin en concerts avec un violon ou une fl℗♭te, et une viole ou un deuxi℗♭℗ʺme violon (1741)
Musique raisonnée
Démonstration du principe de l'harmonie
Élemens de musique théorique et pratique