Photo: Nicola Perscheid (Public domain), Wikimedia Commons

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German painter, sculptor, printmaker, and writer (1857–1920)

Also known as: Макс Клингер, 막스 클링거, マックス・クリンガー, 马克斯·克林格尔, Клингер Макс

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Alfred Kubin1877–1959
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Dreamlike, macabre graphic cycles and a visionary novel share Klinger's dark Symbolist imagination and fantastic narrative sequences. (AI reason)
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Giorgio de Chirico1888–1978
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His enigmatic metaphysical writings such as Hebdomeros echo the uncanny, dreamlike symbolism of Klinger's print cycles. (AI reason)
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Odilon Redon1840–1916
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His journals and reflections on black-and-white art parallel Klinger's Symbolist printmaking and his theories in Malerei und Zeichnung. (AI reason)
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Adolf von Hildebrand1847–1921
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His treatise on form in the visual arts suits readers drawn to Klinger's theoretical writing on artistic media. (AI reason)
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Konrad Fiedler1841–1895
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His late-19th-century German art theory addresses the same questions of artistic perception and media that Klinger explores. (AI reason)
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Richard Dehmel1863–1920
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His fin-de-siècle German poetry shares Klinger's charged themes of eros, death and Symbolist mood. (AI reason)
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Joris-Karl Huysmans1848–1907
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His decadent novels and art criticism celebrate the same morbid, fantastic Symbolist visual imagination. (AI reason)
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Julius Meier-Graefe1867–1935
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His art-historical writing on modern German and European art covers the era and artistic debates surrounding Klinger's work. (AI reason)
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Hugo von Hofmannsthal1874–1929
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His Viennese fin-de-siècle prose and verse share Klinger's aestheticism and dreamlike, allegorical atmosphere. (AI reason)
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