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Soviet film director, screenwriter and actor (1893–1953)
Also known as: Wsewolod Illarionowitsch Pudowkin, V. I. Pudovkin, V.I. Pudovkin, Vsevolod Illarionovič Pudovkin, Vsevolod Illarionovich Pudovkin, Wsewolod Pudowkin
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Sergei Eisenstein1898–1948ReportAI suggestion, no reader data yetFoundational Soviet montage theory writings such as Film Form and Film Sense, directly in dialogue with Pudovkin's ideas on editing. (AI reason)
Lev Kuleshov1899–1970ReportAI suggestion, no reader data yetEarly Soviet treatises on montage and film acting that underpin Pudovkin's own theory. (AI reason)
Dziga Vertov1896–1954ReportAI suggestion, no reader data yetManifestos and essays on the Kino-Eye and documentary montage from the same Soviet avant-garde context. (AI reason)
Béla Balázs1884–1949ReportAI suggestion, no reader data yetClassical film theory on the close-up, the face and visual expression, close to Pudovkin's concerns with film acting. (AI reason)
Rudolf Arnheim1904–2007ReportAI suggestion, no reader data yetFormalist film theory in Film as Art examining how cinematic devices shape meaning. (AI reason)
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André Bazin1918–1958ReportAI suggestion, no reader data yetEssays in What Is Cinema? offering a realist counterpoint to montage theory. (AI reason)
Viktor Shklovsky1893–1984ReportAI suggestion, no reader data yetRussian Formalist essays on cinema and literary technique from the same era and milieu. (AI reason)
Siegfried Kracauer1889–1966ReportAI suggestion, no reader data yetTheory of Film and film-historical criticism concerned with the medium's nature and social role. (AI reason)
Jean Epstein1897–1953ReportAI suggestion, no reader data yetAvant-garde filmmaker's essays on photogénie and the expressive powers of the camera. (AI reason)
Andrei Tarkovsky1932–1986ReportAI suggestion, no reader data yetSculpting in Time, a Russian director's reflective treatise on film craft and rhythm. (AI reason)
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