Photo: Éléonore Anne de Steuben (Public domain), Wikimedia Commons

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Czech-born French composer (1770–1836)

Also known as: Antoine Reicha, Antoine-Joseph Reicha, Antoine-Joseph Rejcha, Anton Rejcha, Antonin Reicha, Antonin Rejcha

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Johann Joseph Fux1660–1741
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Gradus ad Parnassum is a foundational counterpoint treatise, matching Reicha's systematic composition pedagogy. (AI reason)
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Hector Berlioz1803–1869
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His Treatise on Instrumentation and critical writings share Reicha's French Romantic-era theoretical focus on orchestration. (AI reason)
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Jean-Philippe Rameau1683–1764
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His Traité de l'harmonie is a cornerstone French harmony treatise in the same theoretical tradition. (AI reason)
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Luigi Cherubini1760–1842
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His Cours de contrepoint et de fugue is a Paris Conservatoire textbook on fugue and strict counterpoint. (AI reason)
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Adolf Bernhard Marx1795–1866
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His multi-volume Lehre von der musikalischen Komposition covers form and composition in the same comprehensive manner. (AI reason)
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Johann Georg Albrechtsberger1736–1809
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His Gründliche Anweisung zur Composition is a Classical-era composition and counterpoint manual. (AI reason)
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Heinrich Christoph Koch1749–1816
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His Versuch einer Anleitung zur Composition analyzes melody and form much as Reicha does. (AI reason)
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François-Joseph Fétis1784–1871
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His treatises on harmony and music history belong to the same Parisian theoretical milieu. (AI reason)
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Carl Czerny1791–1857
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His School of Practical Composition translated and extended Reicha-style pedagogy on form and composition. (AI reason)
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Johann Philipp Kirnberger1721–1783
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Die Kunst des reinen Satzes offers rigorous instruction in strict composition and harmony. (AI reason)
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Vollständiges Lehrbuch der musikalischen Composition, oder, Ausführliche und erschöpfende Abhandlung über die Harmonie (den Generalbass) die Melodie, die Form und Ausarbeitung der verschiedenen Arten von Tonstücken, den Gebrauch der Gesangstimmen, die gesammte Instrumentirung, den höhern Tonsatz im doppelten Contrapunct, die Fuge und den Canon, und über den strengen Satz im Kirchenstyl
Vollständiges Lehrbuch der musikalischen Composition, oder, Ausführliche und erschöpfende Abhandlung über die Harmonie (den Generalbass) die Melodie, die Form und Ausarbeitung der verschiedenen Arten von Tonstücken, den Gebrauch der Gesangstimmen, die gesammte Jnstrumentirung, den höhern Tonsatz im doppelten contrapunct, die Fuge und den Canon, und über den strengen Satz im Kirchenstil
Ecrits inedits et oublies
Hudba jako ryze citové umění
Grand quatuor concertant